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I conducted an experiment in which participants were placed into a simulated clothing store after identifying their style preferences in terms of aesthetic choices.
Participants were randomly put into either a messy environment condition or a clean environment condition. They were then asked whether or not they would buy a piece of clothing, first in the style they selected as their favorite, second in the style they selected as their least favorite.
The study’s purpose was to explore levels of cognitive dissonance, and if there would be any difference in these levels between environmental conditions.
Interestingly, participants in total made the same number of purchases no matter what environment they were put into.
However, statistical significance was found for the emotion of unease being much higher in participants who experienced the messy simulated environment.
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This paper focuses on the connection between psychology and fashion, particularly in the context of personal style.
The concept of personal style is explored through the lens of conformity and social influence, and how these psychological principles may guide what style aesthetics we are drawn towards.
In the conclusion, workspace dress codes are brought into question, with supporting research on self-expression stylistically helping to boost workplace productivity.
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Following the closing of major craft supply retailer Jo-Ann Fabrics in 2025, I analyzed how the decrease in these types of stores may have tremendous impacts on the economy and environment.
The article explains why decreased access to resources sold at these stores, such as sewing materials, might accelerate the fashion trend cycle and drive consumers to purchase fast-fashion.
The concept of an economic recession is also questioned in relation to the potential implications of these stores closing, as prices of clothing would rise tremendously if any major clothing manufacturers were forced to address their impact on the environment.
Finally, a solution is proposed to the absence of these craft stores, by recommending a larger emphasis on community based education for sewing and other crafts.
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In this paper, the importance of maintaining one’s creativity and continuing to practice hobbies even in old age is shown with evidence from psychological research.
Art and art therapy in particular are mentioned as useful outlets for aging individuals, due to their links with higher levels of positive mood and cognitive stimulation.
The paper goes on to explore the general concept of what creativity is, and how creativity may differ in each person, or even across one’s lifetime.
In conclusion, the paper proposes further research on creativity and aging due to the current research on creativity pertaining mostly to artistic creativity, rather than other realms such as creative problem solving or idea generation.